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Date: | Thu, 10 Feb 2000 12:31:46 -0600 |
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Jocelyn Wang responded to me:
>>... The only time I have a problem with it is when the
>>music is played so damn slow with the repeats (Haydn can suffer from
>>this), or when the repeats are taken despite the great length of the
>>movement (Norrington's take on Schubert's Ninth Symphony).
>
>Any composer will suffer from his music being played to slowly. This
>has nothing to do with observing repeats, but, rather, observing tempo
>markings. I attended a performance of Schubert's 9th with Norrington
>guest-conducting the LA Phil a couple of years ago. He did observe all
>the repeats, and it was marvellous. The composer's judgement is to be
>trusted more than that of any performer who would play contrary to those
>instructions.
I agree with your assessment on music suffering due to slow tempos.
I think my problem comes in when Haydn's minuets especially are played
too slowly to begin with: I always prefer the peasant dance to the
aristocratic with him, even if the tempo is marked "Moderato". Adding
repeats to such a slow performance for me makes it doubly tedious.
As far as my Norrington reference, I should have been clearer: I was
referring to him taking both repeat of the Scherzo movement again *after*
the trio section had been completed. It turns this movement into a very
long exercise for me as a listener. I am in agreement with you regarding
the observance of repeats, be they occur in minuets or sonata-form
movements or what have you.
Mark K. Ehlert
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