Jan Templiner

>... Gunter Wand said in his last interview in Gramphone that he would
>refuse to edit performances.  Either the concert the way it was (even
>though the recordings suggest that he assembled movements from different
>concerts) or nothing.  Is there anyone else with that attitude?...

Well, Celibidache went further than that.  He distrusted recording so
deeply that, as musical director of the Munich Philharmonic (an innings
lasting some 17 years), he generally eschewed recording commercially.
He did make exceptions, but then mostly on foreign tours at the urging
of his hosts.

Denis Fodor