Schwartzso cogitated:

>This is what's known as the law of the excluded middle.  I suggest that
>many composers write from both their heads *and* their hearts.

Bach    Cage     Nielsen

I vote to exclude the middle.  To hell with logic and importance.

Sex, too, has that damned excluded middle.  And Schwartzso's description
could have been written to describe it.

>After all, there's an awful lot of stuff to keep straight when you're
>composing, much of it rather dull, but all of it important.

Andrew E. Carlan <[log in to unmask]>
Just trying to stand up!