Mike Leghorn, on the contemporary interest for Medieval and Renaissance
music:

>If we go back long enough, we'll get to a time when tension-release was
>not present.  I think that this is a time we're revisiting now.

That sounds good for the Medieval period, but what about the interest for
Renaissance (say, post-Josquin period) or Early Baroque music, in which the
basic of the "tension-release" scheme is already present?.

Pablo Massa
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