I am surprised, unless I have missed something, that no one has mentioned
the use of CM by Bergman.  I can't give any specific examples (I remembet
one film in which a Bach cello suite was used, I think), but I'm not
referring to his "Magic Flute."

Also, I think Kurosawa used CM effectively more than once, but again, I
can't give specific examples.  Sorry -- not only am I not much of a movie
buff, but I think that I am so used to hearing the music itself that when
it appears in a movie sound track I often don't even notice it.

Jon Johanning // [log in to unmask]