What more can a fan say than "Keith rules!". His approach is quite unique. Keith's idealisms of tonal properties are spactacular. Keith strives to merge man and music in a way that will follow him after his leaves us. I still yet have to hear "The Koln Concert", but I do have is La Scala concert in 1997 (which was a few months ago available on BMG Music Club on clearance for $3 for the disc!). I love this recording, and recommend it to all. Also, could try some of Jarrett's 1970's recording with Charlie Haden and Paul Mortian. [For fun, compare the Triste on Jeff Tain Watts new release against it recorded on Brandford Marsalis' Requiem album against Jarrett and Mortian on (i think) Secrets, or one of the Impulse recordings]. Have fun. Martin Nickison II student-Computer Science and Mathematics Youngstown State University