What was the methodology of the Classic CD ranking? Was it done by a readers' vote? It seems to me that the names with the most public clout have got top places. There is no other way I can explain Oistrach and Horowitz at 2 and 3, especially since they outrank Kreisler and Heifetz, and Rachmaninoff and Cortot respectively. No Hofmann either, which is a rather graver omission. Felix Delbruck [log in to unmask]