>From the Alex Ross's review of the Met's Moses und Aron in this week's New Yorker: "Arnold Schoenberg looked like a great man. That bald head, shining like a dangerous new asteroid; that mouth, perpetually forming a deadly phrase; those eyes, high beams of genius, finding you, accusing you." I won't ruin the rest of the piece for you, but Ross relates an interesting reading of the quasi-tonality of the music associated with Aron against the "pure" serialism of Moses. John Halbrooks