Some sopranos singing the title role of "Lucia di Lammermoor" work their way up to the great climactic Mad Scene (and some die there... or before), but not Talise Trevigne. This young, beautiful (http://www.novoartists.com/trevigne.html) soprano from San Jose sang a Lucia on fire from the first note to the last tonight, a world-class performance in circumstances that couldn't be humbler. The Legion of Honor's Florence Gould Theater may be a charming jewel box, but the San Francisco Lyric Opera's "Lucia" production is taking place on a stage 22 feet wide and 28 feet in depth. During the wedding scene celebration, complete with dancing of sorts, every square inch of that "stage" is taken. Barbaby Palmer is conducting an orchestra of 17, each section represented by a single player (except for doubling the trumpets and horns), in a performance taking place before an audience considerably under the theater's 300-seat capacity. So what would you expect? Not this: a fine all-around performance (except for an indisposed tenor, singing through the aftereffects of food poisoning), some personal-best accomplishments, and above all, La Trevigne. From a full-voiced "Regnava nel silenzio" to "Quando rapito in estasi," a rapturous love duet (sung pretty much as a solo), a glorious Sextet in which Trevigne took everybody with her to a higher level, to the Mad Scene - rightly interrupted by applause before the "Spargi d'amaro pianto" conclusion - the soprano did everything right, and yet never sounded "singerly." Hers is a big voice, but not outsized, a voice with warmth and agility, the projection is flawless (the diction isn't), and above all, Trevigne sings without effort, sounding natural, musical, and conveying a sense of joy in her art. She sings dramatic soprano and coloratura, and everything in-between, but the listener is aware of the music only, not the technique, the fach, the voice production. On her way to a big career, and roles in London, at the opening of the Sacramento Symphony's season, then in Birmingham, and Chicago - she is right here in the city, through June, singing Lucia. It is not to be missed. (http://www.sflyricopera.org/) Trevigne was well supported by Palmer's conducting, concertmaster Rita Lee, harpist Wendy Tamis, and a fine chorus overcoming its miniscule size. Roberto Gomez, the Enrico, had his best night of his many appearances with Lyric Opera. Sergey Zadvorny's sonorous Raimondo and A.J. Glueckert's all-too-brief appearance as Arturo made welcome contributions. Set designer Jean-Francois Revon did well on the postage-stamp stage, and carpenter/business manager/supertitlist Simon Palmer missed only one clue. Costume designer Meghan Muser went to town with rakish hats. Janos Gereben/SF www.sfcv.org [log in to unmask] *********************************************** The CLASSICAL mailing list is powered by L-Soft's renowned LISTSERV(R) list management software together with L-Soft's HDMail High Deliverability Mailer for reliable, lightning fast mail delivery. For more information, go to: http://www.lsoft.com/LISTSERV-powered.html