Steve Schwartz... ...raised some convincing points as to why Bach didn't delve into organ concertos with orchestra. Still, it's a pity, and our loss -- well, at least for the likes of Donald Clarke and me, to whom the joys of solo organ are generally elusive. I'll also be chasing down some of those suggestions about other organ-&-orchestra works, thanks. Interesting that they were mostly by 20th century composers. Sort of the converse of harpsichord concertos, although both instruments hark back, or seldom seem put to good use by current composers. Another shame, imo. >It just goes to show how we experience composers in different ways. >To me, Handel is exciting, forceful, rude, and crude. Someone once >wrote of the "bubble and bounce" of Handel. I think of him as Mr. >Entertainment. I just don't know how to respond to this depiction of Handel as a sort of Neil Sedaka/Mick Jagger of his age. 'Must indeed stand as a proof of the undispuntandumness of de gustibus, as suggested. I like to be entertained, but my recent acquisition of his Violin Sonatas (Rosand/Sung) aren't likely to be spinning very often in my CD tray ...and this applies also to his recorder sonatas (Petri/Jarett), which I've had for longer. It must be my taste for an even cheaper form of sparkle, I guess, that hampers my listening. I gather from somewhere that Mozart studied Handel closely, and just this morning I heard a killer version of his overture to The Marriage of Figaro on the radio. I'm not sure if there's anything Handelian about it, but on its strength alone I'd certainly nominate WAM as Mr Entertainment! Bert Bailey *********************************************** The CLASSICAL mailing list is powered by L-Soft's renowned LISTSERV(R) list management software together with L-Soft's HDMail High Deliverability Mailer for reliable, lightning fast mail delivery. For more information, go to: http://www.lsoft.com/LISTSERV-powered.html