Reznicek: Schlemihl; Raskolnikoff M. Jurowski, WDR Sinfonieorchestra Koln cpo 999 795-2 5/5 Reznicek's 'Kein Heldenleben' I came to this work late, having earlier obtained and reviewed Reznicek's subsequent tone poem, 'Der Sieger' ('The Winner'). For more information about Emil Nikolaus von Reznicek (1860-1945) please see my 'Sieger' review here at MCML. The two works go together (and there was a third, 'Frieden' ['Peace'] but it has been lost). This earlier (1912) 45-minute work is about one of life's anti-heroes, immortalized in the Yiddish word 'schlemiel.' This is the guy who can't do anything right and whose life goes from bad to worse. Unfortunately this is an apt description of the composer's own life. (Actually he was more of a 'schlimazel', but that's pedantry on my part, I suppose.) What is touching is that not only did he know it, he was able to make ironic fun of it. And what he does here in 'Schlemihl' is to turn Richard Strauss's self-congratulatory 'Ein Heldenleben' and 'Sinfonia domestica' on their heads by writing a satirical 'Anti-hero's Life' that uses what had become the cliches of Strauss's style. But he does such a good job of it that the work itself comes close to being every bit as good as Strauss's. OK, maybe Reznicek is not quite the genius that Strauss was, but he certainly had immense talent. I found myself listening and re-listening to this work and each time identifying new felicities I hadn't noticed before. And even without the detailed program (supplied in the CD's booklet, complete with timings) supplied by the composer--for instance, there is a passage in the 'Orgy' section where the object of the schlemiel's attention is 'eine nackte, dicke Hexe mit Hangebauch' ('a fat naked witch with hanging-down belly')--the music is enjoyable, particularly if one is fond of Strauss's or Mahler's style. Strauss and Wagner are quoted, or hinted at, slyly as are quotes of 'Ach, du lieber Augustin,' the Dresden Amen (is he teasing Bruckner's fondness for that?) and, inevitably, 'Dies Irae.' In a way this piece, in its nose-thumbing, could be considered an extremely expert precursor of Gerard Hoffnung's or P.D.Q. Bach's music; it certainly is as funny as any of their productions. But it is also a work that can stand on its own, without the listener having any awareness of the musical antecedents or the objects of the satire. Quite an accomplishment, I'd say. And, lest you worry about it, there are some extraordinarily lovely 'straight' passages (as in 'The Woman' [Movement III]) and at the very end. Also included is the much-later (1929)'Raskolnikoff,' a 'fantasy overture' inspired by the main character in 'Crime and Punishment.' A serious piece, with no satire anywhere in sight, it is a moving work infused with a melancholic beauty. It shows what Reznicek could do when he wasn't being ironic. The performances here, by the WDR Symphony Orchestra of Cologne, under the expert direction of Michail Jurowski, are all one could ask. One hopes that this and 'Der Sieger' are only the beginning of a series of Reznicek's recordings that will come our way. Make no mistake, Reznicek is a major discovery after many years of neglect. The booklet notes by Eckhardt van den Hoogen, clearly a strong advocate for Reznicek's music and apparently a moving force in getting this music recorded, are convoluted and inelegant in both his German original and in the even clunkier and occasionally incomprehensible English translation. But that shouldn't detract from the worth of this presentation. Recommended. Review at http://www.amazon.com/exec/obidos/ASIN/B000174LOS/classicalnetA/ Scott Morrison