I'm very interested in the new SACD Gluck "Orfeo" on DG with Marc Minokowsi (sp), but what's the ratio of good melodies vs. speak-singing with scandalized harpsichord interjections--otherwise known as recitative? Verdi's "Falstaff" is also out on LSO Live SACD with Colin Davis, (will we get Grimes in SACD next???), but I've read its rather 'restrained' Verdi--are there *any* big moments? John Smyth Sac, CA