Margaret Mikulska writes in reference to the Savall AoF: >Get the real thing, Leonhardt or Moroney on harpsichord. AoF is not a >work for a viol consort or a chamber orchestra, but for a harpsichord. Although my primary preference is for the AoF on harpsichord by Leonhardt, Moroney, or Gilbert, I feel there's much reward in interpretations on other instruments and grouping of instruments. It just depends on the performance, and I love Savall's AoF. His use of brass creates a fantastic listening experience. Don Satz [log in to unmask]