Margaret Mikulska writes in reference to the Savall AoF:

>Get the real thing, Leonhardt or Moroney on harpsichord.  AoF is not a
>work for a viol consort or a chamber orchestra, but for a harpsichord.

Although my primary preference is for the AoF on harpsichord by Leonhardt,
Moroney, or Gilbert, I feel there's much reward in interpretations on
other instruments and grouping of instruments.  It just depends on the
performance, and I love Savall's AoF.  His use of brass creates a fantastic
listening experience.

Don Satz
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