I want to share a good new with the list. Last saturday (august 11th) at the Reformist Church of the Estonian Congregation in Argentina, took place the premiere of my first choral work: "En l'an trentieme", for SATB. It was performed by the Youth Choir of Grupo de Canto Coral (JGCC) conducted by Mtro. Pablo Piccinni. We had a guest choir with us in this concert, the Grupo Vocal Zahir, conducted by Diego Boero. The program was full of Mateu Fletxa, Max Reger, F. Poulenc, and some argentine composers. My work was commisioned by the GCC Youth Choir. Originally, they had in mind to perform this year a program dedicated to "Ensaladas" from spansih XVI century (Mateu Fletxa etc), but they wanted also to perform contemporary "ensaladas" written "ad hoc" by young composers. As you know, the "ensalada" is a musical gender in which there's a mixture of texts in different languages and a mixture of styles. I took a lot of texts of Villon, Shakespeare, Petrarca, Carmina Burana, Maurice Sceve, Pervigiluim Veneris, etc., and later I organized them in this way: En l'an trentieme de mon age Que toutes mes hontes j'eus bues Ne du tout fol, ne du tout sage, Mesto, stanco e spirante Dal duol' che m'opprimea Rivolto a gli'occhi miei Cosi dicea: ?Quando ver venit meum Quando faciam uti chelidon, Ut tacere desinam? Perdidi Musam tacendo Nec me Phoebus respicit Sic Amyclas cum tacerent Perdidit silentium Respondit Amor: Homo, quid dubitas? Quid me sollicitas? Non sum quo mussitas (quot mille millia qui dicunt talia: "O quando erimus, tecum in gloria") .nec in euro, nec in austro Nec in foro, nec in claustro O cunning Love!, with tears thou keeps't me blind, Lest eyes well-seeing thy foul faults should find, For I have sworn thee fair and thought thee bright Who art as black as hell, as dark as night. But thence I learn, and find this lesson true: Drugs poison him that fell so sick of you! Tant que sur moy le tien ingrat froid dure Mon espoir est denue de son herbe Puis retournant le doulx Ver sans froidure Mon An se frise en son Avril superbe Ma s'egli aven ch' anchor non mi si nieghi Finir anzi'l mio fine Queste voci meschine, Non gravi al mio signor perch'io il ripreghi Di dir libero un di tra l'erba e i fiori: "Drez et rayson es qu'ieu ciant e. m demori" The result was a 5' of tonal music, which is very long for a single "a cappella" work. I have a MIDI file, and soon I'll have an Mp3 of the premiere recording. If anyone wants to take a look, just write me out of the list. Pablo Massa [log in to unmask]