The subject line reminded me of one of my favourite entries in Grove Opera: the biography of Tolstoy. It opens thus: Tolstoy, Lev [Leo] Nikolayevich (b Yasnaya Polyana, 28 Aug/9 Sept 1828; d Astapovo railway station, 7/20 Nov 1910). Russian writer, distinguished hater of opera. He had some musical education: he could play the piano after a fashion and even composed waltzes. Sensitive not only to the pleasures of music but also to its `hypnotic' influence and hence its power to uplift or corrupt, he maintained that there could be no aesthetic judgment without an ethical component. Good art was art that communicated simple ideas and emotions directly and intelligibly, uniting artist and audience in accord with Christian teachings. For Tolstoy opera, with its mongrel mixture of media, its needless complexity, its irreality and its reliance on flamboyant convention, epitomized the falsity of art at its most debased and stood as metaphor for falsity in social relations. The scene of Natasha Rostova's moral downfall in his novel Voyna i mir (`War and Peace', 1869) is set fittingly against the background of an opera performance ... The article goes on to comment on the irony of Tolstoy's works being used as the basis for operas. The author was Richard Taruskin. Mike Gibb WWW: http://operabase.com/en House/booking/season details for 600 houses/festivals, maps, timelines, artist schedules, reviews from leading newspapers.