Robert Peters: >I have been listening now for four days to Benjamin Britten's Serenade for >Tenor, Horn and Orchestra and I have come to the seemingly paradox result >that I like and admire the work but do not think it is really good. My >main criticism is that the work is totally heterogenous, that the texts >used do not match and that there is no clear thread running through it. >But it nevertheless impresses me much. Do you criticize Mahler's Das Lied for the same reason? Steve Schwartz