A dark horse for the Piano Concerto No. 19 is Jeno Jando on Naxos. He tends to lack the inwardness necessary for truly great Mozart, but his playing has a most welcome simplicity, clarity, and directness, without a trace of romantic mannerism (vs. Uchida, for example). He does particularly well in the more extrovert pieces, and No. 19 is one of his best. Peter Goldstein