I don't think that it's like the ending to Mussugovsky's [sic] Night on Bear Mountain. The piece is whole and Holst finished it as he intended. I haven't heard "Pluto." It's not that I'm opposed to its addition, it's just that I think that's exactly what it is, a superflorous afterthought. It's not quite the same as adding a fifth movement to Beethoven's Ninth, but then again in some ways it is. "James T. Sherman" <[log in to unmask]>