I've just been listening to my Columbia LPs of Rampal playing Handel's flute sonatas. (I also have the Bach sonatas.) They're as fine as I remembered them (it's been a while--so much easier to play CDs). I happened to notice, in the C major sonata, at the beginning of a slow movement, the same figure that makes (at least for me) the slow movement of the Concierto de Aranjuez so affecting: just a mordent, but given a lingering, meaningful emphasis. One of those little echoes that are so intriguing. Dorothy Smith