Another volume in Robert Levin's and Hogwood's traversal of the Mozart piano concertos has just been released in the U.S. This one features concertos nos. 5, 14, and 16. There isn't a whole lot to say about the performances or recorded sound that's different from the previous issues in the series; Levin and Hogwood work beautifully together, and I think this series will ultimately be considered at least as good as Bilson/Gardiner. A few words about the concertos on this new issue. Some might point out that these concertos are not from the "mature" Mozart and don't represent him at his best. However, each of the three is thoroughly delightful and displays Mozart's uncanny knack for great melody and melodic development. The outer movements are chock full of excitement while the slow movements are lovely. This is music which can be appreciated through total concentration or while driving your vehicle, getting romantic, or putting down new concrete flooring. Although I do prefer his later piano concertos, the three on the new cd are easily better than any piano concertos by other composers of the classical era. While listening to no. 16, you might note that Mozart's mature concerto form is coming to a fruition which is fully realized with concerto no. 17. The Levin series is on Decca and the catalog number of the new release is 289 458 285-2. Don's Conclusion: A must-buy for anyone with a liking for period instrument Mozart piano concertos. Those who do not like this performance style should continue to keep their distance. Bob Draper should approach with caution. Don Satz [log in to unmask]