Another volume in Robert Levin's and Hogwood's traversal of the Mozart
piano concertos has just been released in the U.S.  This one features
concertos nos.  5, 14, and 16.  There isn't a whole lot to say about the
performances or recorded sound that's different from the previous issues in
the series; Levin and Hogwood work beautifully together, and I think this
series will ultimately be considered at least as good as Bilson/Gardiner.

A few words about the concertos on this new issue.  Some might point out
that these concertos are not from the "mature" Mozart and don't represent
him at his best.  However, each of the three is thoroughly delightful and
displays Mozart's uncanny knack for great melody and melodic development.
The outer movements are chock full of excitement while the slow movements
are lovely.  This is music which can be appreciated through total
concentration or while driving your vehicle, getting romantic, or putting
down new concrete flooring.  Although I do prefer his later piano
concertos, the three on the new cd are easily better than any piano
concertos by other composers of the classical era.

While listening to no.  16, you might note that Mozart's mature concerto
form is coming to a fruition which is fully realized with concerto no.  17.
The Levin series is on Decca and the catalog number of the new release is
289 458 285-2.

Don's Conclusion:  A must-buy for anyone with a liking for period
instrument Mozart piano concertos.  Those who do not like this performance
style should continue to keep their distance.  Bob Draper should approach
with caution.

Don Satz
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