The best I have been able to figure is that film music recordings usually
follow no particular structure save a consecutive scenic tracking of the
action. There are other variations (in the case of music lifted from other
media, phonograph records or sheet music in the case of "The Sting," "Blues
Brothers," etc.) which seem to sequence the music in programatic A, B, C,
D logic. Sometime, the program seems to be completly random accept for a
thematic introduction and final end title recapitulation. Sorry, no help
from me.

Bernard Gregoire
Hingham, MA