Bob Draper wrote:
>I would say that htere are two kinds of composers regarding emotional
>music; Those who know how to use the devices necessary to produce it as
>and when required and those who are generally in dire straits and
>desparately need to work through their situation in music.
Stirling had mentioned "recall" which would allow the composer to feel a
particular emotion. In addition, I think a composer can feel an emotion
without actually having experienced it in the past; it's called empathy.
Regardless of where this feeling is coming from, the significant thing to
me is that the composer feel the emotion at the time of composition.
Don Satz
[log in to unmask]