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Date: | Thu, 30 Sep 1999 16:42:37 -0500 |
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William Hong wrote:
>Bob Draper wrote:
>
>>Let me give you an example. When I first heard Eine Kleine Nachtmusik
>>on the radio 15 years ago it was played by someone like the BPO or VPO.
>>I liked it so I went out and bought Christopher Hogwood's version. This
>>was like listening to a completely different piece of music and I was
>>disappointed. Of course I didn't know much about music then. Now, I
>>realise that Hogwood is closer to 'Truth'.
>
>Yes, it's probable the performance practices are closer to what Mozart
>might have been used to, versus the BPO/Karajan version with which I first
>got to know the work. Nevertheless, a lot of folks on this List don't
>really care much for Hogwood in anything he does, though I don't count
>myself among them. Whether it's closer to the "truth", ultimately won't
>matter to those who simply don't like the approach.
I want to point out one error to these past two posts. "Eine Kleine" was
performed by a string quartet made up from members of Hogwood's Academy of
Ancient Music. Apart from possible conversations with the players,
Hogwood's only other role with this work -- inspired by Alfred Einsteins
theory, no doubt -- was to add an extra minuet movement to the traditional
4 movement form. (The new movement comes from a student of Mozart if
memory serves.) Hogwood *was* involved as a conductor in other aspects
of the same recording, leading his ensemble in renditions of "Serenada
Notturna" and the "Serenade for Four Orchestras."
Mark K. Ehlert
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