Subject: | |
From: | |
Date: | Thu, 23 Sep 1999 22:09:45 -0700 |
Content-Type: | text/plain |
Parts/Attachments: |
|
|
Don Satz writes:
>Since I'm the one who speaks up most frequently for Brendel, I'll continue
>with that tradition. As I was reading Felix's comments, I was thinking of
>Brendel's Haydn series and his recording of Schubert's D.959 on Philips
>(first recording). They're perfect, revelatory, and display supreme
>mastery. Brendel's pacing, drama, lightness and playfulness when called
>for, and concept of these works is what music is all about for me.
I agree wholeheartedly with Don here. I bought Brendel's performance of
the last 3 Schubert sonatas, along with the three Klavierstucke (D.946,
I believe), a few years back and I absolutely adore them. I have yet to
hear a better performance of Schubert's final sonata. Maybe Brendel is not
the greatest Beethoven player in the world but to say that, overall, he is
"too much this" and/or "too little that" is a pushing it a little. I would
bet these critics of Brendel have yet to hear these performances Don and
I speak of. Maybe they have but I would be a little suspicious of any
negative comments about them. Then again, as I have said so often, it's
all a matter of taste.
--Wes
|
|
|