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Date: | Wed, 5 Apr 2000 09:12:44 -0700 |
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Andreas Meyer-Lindenberg wrote:
>Hi all, as Easter approaches, I'd like to treat myself to a new version
>of Bach's St. Matthew's passion on period instruments. I find that I
>now prefer this approach despite the fact that I've been born and raised
>on Richter's recording of the passion and on Rilling's cantatas and would
>not want to miss either. I would bee especially interested in your thoughts
>about the new Herreweghe version since I liked Bostridge (who sings the
>evangelist) very much in his lieder recordings.
I have not heard the new Herreweghe reading but my favorite version on
period instruments AND all-male singers is the Gustav Leonhardt reading
on Deutsche Harmonia Mundi.
Incidentally, I find that after several years of listening to St.
Matthew's Passion on "period" instruments and all-male singing voices that
to return to "modern" instruments and mix voices is -- frankly -- jarring
and very unsatisfying. The same holds for ALL of Bach -- the Cantatas, the
motets, St. John's Passion, the Magnificat his organ music, etc. It is,
of course, a purely personal thing but Bach on period instruments (and
using period playing techniques) is almost required now. (Except --
strangely -- for the non-organ keyboard works where a modern piano is
often the "best" sounding to mw)
Dave Pitzer
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