Subject: | |
From: | |
Date: | Sun, 13 Jun 1999 11:22:19 -0700 |
Content-Type: | text/plain |
Parts/Attachments: |
|
|
As the original Ades demonologist, I enjoyed Scott's similar opionion, but
my day was really made by Steve:
>I don't understand the fuss over Ades myself. I have the Living Toys and
>the Powder Her Face albums. It seems like nicely-orchestrated piffle to
>me.
Indeed. And `nice piffle' goes pretty much for his orchestral pieces, so
much favored by my otherwise great and good friend, K. Nagano. `These
Premised Are Alarmed,' indeed!
What made me react to negatively to `Powder' (both in Berkeley, with
Nagano, and in Aspen) was the nasty streak in the text, in the whole
piece. I have never responded well to the `Clockwork Orange' culture.
On the other hand, I finally heard Ades' fame-making early `Arcadiana' at
the Ottawa Strings of the Future festival, and a *very* nice piffle it is.
Unfortunately for Ades, at the same festival I heard several works by
Kelly-Marie Murphy, and when I start commissioning music (the next Lotto
drawing is on Wednesday), it will be Murphy, not Ades. She has all the
intensity, sincerity, repeatability I could never find in the boy wonder.
Janos Gereben/SF
[log in to unmask]
|
|
|