About Colin Tilney - he wasn't actually that bad, but he didn't seem
to exploit the nuances that from reading about it I imagined would be
possible on the clavichord.  It sounded like a quieter harpsichord to me.
Then again, library headphones can be misleading.  Question:  what's the
rationale behind playing book 1 of the WTC on the clavichord and book 2 on
the harpsichord, rather than the other way round or simply deciding on a
movement-by-movement basis?

Felix Delbruck
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