Not accepting the audience as it is? Very often I think that audiences
deserve more credit than arts managers give them. Fort Worth Symphony's
concert last week featured and excellent Symphony Fantastique and a partly
excellent Prokofiev 3rd Cocnerto. Regrettably they cut their only living
composer of the schedule (Corigliano's Promenade Overture) in favor of a
lollypop by Mozart. I'm mildly interested whose decision that was, and
it would probably take more effort than it's worth to find the truth.
Aaron J. Rabushka
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