Don Satz wrote:


Deryk mentioned Vivaldi's Four Seasons in terms of its frequent recording
>versus less frequent concert programming.  Why is it that Baroque music
>gets so little play at concerts?

I assume you mean concerts by modern-type (late 19th-century to
20th-century), monster orchestras.  I don't know that, at this date, we
really want to hear baroque music played by them.  Baroque specialist
orchestras play lots of it, of course.

Jon Johanning // [log in to unmask]