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Mon, 12 Apr 1999 11:06:40 +1000 |
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Jon Johanning <[log in to unmask]> wrote:
>Ian Foster wrote:
>
>>The 1812 Overture is dreadful. I think it is the combination of directness
>>with gimmicks which I find so unappealing. The loud volume of so much of
>>the 1812 is part of the directness I find unsatisfying.
>>
>>The naked triumphalism of the 1812 Overture is definitely one cause of
>>my dislike. ...
>
>I understand your viewpoint, I think, but how about this: maybe it's just
>fun to listen to--especially when the cannons and bells cut in.
>
>Do we have to be deadly serious about every piece of music?
Some people certainly think so; although this doesn't necessarily follow
from IF's point....
Sydney uses the 1812 every year for its Classics in the Domain concert;
& adds real cannon & antiphonal fireworks. I'm not sure how high the
performance ever rates on the artistic scale; & an awful lot of
Sydneysiders inevitably enjoy it.
Personally, though, i found Mussorgski's _Night on a Bare Mountain_
this year's highlight, not least because of the special solo role marked
_circling bats, ad libitum_. The critters flew in from the nearby Botanic
Gardens; & really got into the hissing spirit of the Russian's vision.
They didn't like the cannonfire in Tchaikovski's score at all....
All the best,
Robert Clements <[log in to unmask]>
<http://www.ausnet.net.au/~clemensr/welcome.htm>
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