A few months back, I heard Mark Spencer as Mary Sunshine in `Chicago' and
wrote: here's a fine Turandot -- a *male soprano*, not a countertenor or
male alto.

Behold, as of today, there is a better prospect yet: he is being considered
for Octavian in a major-house `Rosenkavalier'! Now wouldn't it give
`trouser role' a whole new twist? And it would *sound* new too.

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