Year's work lost as score for new opera is stolen
By Nigel Reynolds, Arts Correspondent, Telegraph Newspaper
MICHAEL BERKELEY, one of Britain's leading modern composers, has
suffered the biggest nightmare of every writer. The half-finished
score for a major opera he had been writing for a year has been
stolen. It was his only copy.
He said yesterday: "It is irreplaceable. This is the lowest point
of my life and I feel as if I have had my heart ripped out." He said
he would almost certainly have to abandon the work, an adaptation of
Charlotte Bronte's Jane Eyre with a libretto by David Malouf, the
writer shortlisted for the Booker Prize.
He was due to deliver the completed 100-minute chamber opera next
April in time to be performed at the Cheltenham Music Festival, of
which he is artistic director. It was then to be heard in Wales and
at the Royal Opera House in London.
Mr Berkeley, son of the composer Sir Lennox Berkeley, had completed
the first two scenes of Jane Eyre, sketches for the ending and 12
pages of piano reduction, a total of 67 sheets written in pencil.
He discovered their loss yesterday morning. He believes that they
were stolen while he unpacked his car outside his home in Notting
Hill, west London, the night before.
The manuscript was in a large black zipped designer's portfolio. He
is unsure whether it was stolen from the car, or from his home in
Blenheim Crescent, while the door was left open as he unloaded after
returning from his farmhouse in Wales.
Mr Berkeley, 50, is one of the country's most prolific composers.
He has written more than 50 works including one previous opera, Baa
Baa Black Sheep, about the troubled childhood of Rudyard Kipling, a
ballet and film music and has been premiered at the Proms.
He is a member of the board of the Royal Opera House, its only
composer, and is a broadcaster on Radio 3 and Radio 4. Mr Berkeley
offered a reward of "several hundred pounds" for the return of his
manuscript or information leading to it. His telephone number is
0171-229-6945.
James Kearney
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