Subject: | |
From: | |
Date: | Tue, 11 May 1999 08:09:24 +1000 |
Content-Type: | text/plain |
Parts/Attachments: |
|
|
Don Satz wrote:
>On a different message board, one I read but never post on, there's been
>some discussion of the relative merits of Mozart's piano sonatas. Many
>posters on that board felt that the piano sonatas were not at Mozart's
>highest level; a few even indicated that Mozart's early sonatas were of
>no merit at all.
>
>I'm curious as to how list members view these sonatas, and whether a large
>difference in quality is noted between the early and the more mature
>sonatas.
I recently acquired Walter Klien's Vox Box of the first ten sonatas after
a number of listers recommended them. I previously knew only #3 and #8
(a prince among piano sonatas) and am still getting to know the others.
I find a greater emotional intensity in Mozart's later sonatas but it's
almost sacrilege to say that *any* Mozart is of no merit at all. I
remember an LP called WAM Is a Dirty Old Man which contained faintly
scatalogical canons and the like, and slight thought they were, they had
musical merit. I hate to say it but I've heard Eine Kleine so often that
I now choose not to, but I still recognise its enormous merits. Perhaps
the naysayers Don quotes are related to the ARG reviewer he told us about
who trashed Hummel. Some people have no taste.
Richard Pennycuick
[log in to unmask]
|
|
|