Zack Winestine:

>Bergman made masterful use of music throughout his films.  ...  One
>of the most striking examples of this is in "The Silence", when Ingrid
>Thulin listens to one of the Goldberg Variations on the radio, and it
>clearly stands out as the one moment of order and beauty that she finds
>in the strange world of the film.

Is this the slow variation? I vaguely remember this scene, but cannot
quite place it in the right film.  For some reason I am thinking of "The
Conversation" (with gene hackman, dir.  coppola?).  Does anyone know other
examples of Goldberg variations making an appearance in film?

Ulvi
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