Great suggestion, Barbara. There's also a very nice DVD version of that same account bearing the same title. I've used it in class and like it a lot.
Conrad, the provisions of the Hague Convention (First Protocol, 1954) specifically rule against retaining (or disposing) of another nation's art and cultural property as reparations. Essentially, two wrongs don't make a right.
Dr. Julie H. Ernstein
Asst. Prof. of Anthropology
Heritage Resources Program
School of Social Sciences
Northwestern State University
345C Kyser Hall
Natchitoches, LA 71497
tel: 318.357.6596
-----Original Message-----
From: HISTORICAL ARCHAEOLOGY [mailto:[log in to unmask]] On Behalf Of Barbara Hickman
Sent: Monday, October 18, 2010 1:26 PM
To: [log in to unmask]
Subject: Re: Stolen Holocaust art database launched
CBladey:
Read Lynn H Nicholas' The rape of Europa: The fate of Europe's treasures in the Third Reich and Second World War (1995).
Barbara J Hickman, Staff Archeologist
Archeological Studies Program
Environmental Affairs Division
Texas Department of Transportation
125 East 11th Street
Austin TX 78701
Telephone: 512.416.2637
Fax: 512.416.2680
As of 1 August 2010, my email address has changed to [log in to unmask] Please update your address book.
>>> On 18 October, 2010 at 1:06 PM, in message <[log in to unmask]>, Conrad Bladey <[log in to unmask]> wrote:
I am certain that over the melennia my family has had art stolen from it
we dont know exactly what it might be but if we make up a list and
submit a claim perhaps someone will find works of art that match the
description. How do we know that the claims are legitimate. Tlhe allies
I believe are out a good fortune for liberating europe. Perhaps some of
the art should be simply sold tocompensate the liberators and the
marshal plan. Seems strange sitll worrying about art when so much was
spent for the liberation.
Conrad
Julie H. Ernstein wrote:
>Except of course, that the last paragraph says: "Chairman Julius Berman said it was 'now the responsibility of museums, art dealers and auction houses to check their holdings against these records to determine whether they might be in possession of art stolen from Holocaust victims'." This seems to naively assume that art dealers, among others, wish to know that they are in possession of stolen art. Let's not hold our collective breath on that coming to pass.
>
>Dr. Julie H. Ernstein
>Asst. Prof. of Anthropology
>Heritage Resources Program
>School of Social Sciences
>Northwestern State University
>345C Kyser Hall
>Natchitoches, LA 71497
>tel: 318.357.6596
>-----Original Message-----
>From: HISTORICAL ARCHAEOLOGY [mailto:[log in to unmask]] On Behalf Of geoff carver
>Sent: Monday, October 18, 2010 7:07 AM
>To: [log in to unmask]
>Subject: Stolen Holocaust art database launched
>
>This might be worth following, to see how effective it turns out to be (we
>could learn something about how to find looted antiquities):
>http://www.bbc.co.uk/news/entertainment-arts-11564355
>
>
>
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