CLASSICAL Archives

Moderated Classical Music List

CLASSICAL@COMMUNITY.LSOFT.COM

Options: Use Forum View

Use Monospaced Font
Show Text Part by Default
Show All Mail Headers

Message: [<< First] [< Prev] [Next >] [Last >>]
Topic: [<< First] [< Prev] [Next >] [Last >>]
Author: [<< First] [< Prev] [Next >] [Last >>]

Print Reply
Subject:
From:
Richard Courchesne <[log in to unmask]>
Date:
Mon, 22 Mar 1999 19:44:33 -0500
Content-Type:
text/plain
Parts/Attachments:
text/plain (21 lines)
Aaron Rabushka wrote:

>Although it ends on a pessimistic note ("Veniat omnes plangite"--"Come,
>all, cry") I can't quite put "Carmina Burana" in the category of dark
>music.  Also, is "Deus Irae" ("God of Wrath" I suppose) something distinct
>from "Dies Irae"?

Thank you.  It just goes to show that fingers can keep on typing even after
the brain disconnects.  Or maybe a freudian slip.:>)

As for Carmina Burana, I was responding to an earlier post that nominated
it for the wrong movie.  However, since I first heard 'O fortuna' as the
background of 'The Omen', and found it menacing in that context, I am not
sure what I would think had I first encountered it purely as music, without
the movie.  And, upon reflection, 'menacing' is not the same necessarily as
'dark' - something dark may have menace, but does not need to have menace
in it, in order to be 'dark'.

Rich Courchesne
[log in to unmask]

ATOM RSS1 RSS2