Sam Pawlett wrote:
>Both Shost and Prokofiev wrote music for the (silent) films of Eisenstein.
DSCH didn't write any music for Eisenstein's movies. The soviets used a
potpourri of many of their symphonies (4, 5, 8, 10, 11, 12) for fill the
soundtracks of the new releases of Potemkin and October in the seventies
(after DSCh death, of course).
Mauricio Veliz Cartagena
[log in to unmask]