James Zehm wrote:
>It might be enough to listen to Gershwins Pianoconcerto to hear that he
>didn't had enough technique. He could write effectfully characteristics
>sometimes though, like in "Cuban Ouverture", but in the pianoconcerto
>anyway, he didn't know what he was doing.
Which parts of the piano concerto bear this out?
Aaron J. Rabushka
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