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Date: | Tue, 13 Nov 2007 17:21:23 -0800 |
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"James Tobin" <[log in to unmask]> wrote:
> When you finish this intensely interesting and indeed worthwhile
> book I think you may find that it is not really balanced. At any
> rate, what I was trying to get at was Ross' own aesthetic preferences,
> which have to be inferred by his emphases. Like the good journalist
> he is, he does not express these openly.
I shudder to think how many composers represented on my shelves are not
found in Ross's book. He wasn't trying to achieve any sort of balance,
but telling a dramatic story, and he couldn't put everybody in. I don't
know if his choices infer anything about his own preferences.
When I worked for five years in the 1980s on the Penguin Encyclopedia
of Popular Music, somewhere between 3 and 4 thousand A-Z entries (plus
a hefty index) wasn't going to be enough. I couldn't put in everybody
who ever made a record, and no matter who I left out, somebody was going
to be sore at me! I put plenty of people in for whom I personally had
no use, because they had sold lots of records, and therefore would have
to be found in such a reference book.
Donald
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