Don Satz wrote:
Deryk mentioned Vivaldi's Four Seasons in terms of its frequent recording
>versus less frequent concert programming. Why is it that Baroque music
>gets so little play at concerts?
I assume you mean concerts by modern-type (late 19th-century to
20th-century), monster orchestras. I don't know that, at this date, we
really want to hear baroque music played by them. Baroque specialist
orchestras play lots of it, of course.
Jon Johanning // [log in to unmask]