Congratulations to Robert Hunter and the Chipstone Foundation for
another finely edited and produced edition of Ceramics in America 2005!
This is the fifth annual volume in the series and every volume has provided
well-researched articles with new insights that are accompanied by superb
color photographs by Gavin Ashworth. Ceramics in America 2005 is focuses
on salt-glazed stoneware from factory sites located in New York, Virginia,
Maryland, New Jersey and Ohio. Much of the American salt-glaze stoneware,
as most of you know is not marked, and thus it is quite wonderful to see
the range of wares from the pottery sites. In addition to the pottery
wasters a large number of marked and dated vessels were illustrated from
private collections which go a long way to help gain a better feeling for
the chronology of these wares. Along with these articles on the American
stoneware is an article by Ivor Noël Hume has an article on the
sprig-molded brown salt-glaze stoneware of English potter John Bacon. If
your research involves stoneware, this is an important volume to add to
your library.
My favorite article in this issue of Ceramics in America is by John
Austin on the English designer and potter Palin Thorley. This article
combines information from interviews with Mr. Thorley, pictures of pieces
designed by him and some of the artwork involved. His career began as an
apprenticed painter at Wedgwood’s in 1906. He later became art designer
and decoration director at the Simpson pottery in Staffordshire. Around
1924 he was hired as the Art Director at Allerton and Sons in Longport,
Staffordshire. Mr. Thorley describes meeting a Mrs. Wooley who was still
painting lusterware in 1925 at the age of 86. She had begun working at
Allerton’s at age eight and had always painted lusterware. When asked who
taught her she said, “Old Diana taught me.” This suggests that Mrs. Wooley
was a “second generation” painter of lusterware that was probably
introduced in around 1810. In 1927 Palin Thorley immigrated to the United
States where he was employed as an art director by some East Liverpool
potteries. John Austin’s article provides a rare insight into the way
English and American potteries worked and it is a very good read.
In addition to the above articles the journal contains a number of
“New Discoveries” edited by Merry Abbitt Outlaw. These are short
descriptions of interesting ceramics finds and new data on wares and
pattern. This issue has thirteen new discoveries pieces on topics that
include delft, printed wares, importer’s marks, more stoneware and
architectural terra cotta.
Amy C. Earls edits the book review section and compiles an annual
bibliography of recent ceramic books, articles and exhibits. Eight books
and one exhibit are reviewed in the Ceramics in America 2005.
Ceramics in America provides a healthy mix of contributions by
archaeologists, curators, collectors and social historians. The pay $1,500
for articles and $100 for new finds contributions as well as paying for
book reviews. The journal is published by the Chipstone Foundation and
printed by the University Press of New England. The list price is $60.00,
but it can be gotten with a nice discount from amazon.com. You may want to
visit www.chipstone.org to see some previous articles online.
Peace,
George L. Miller
URS Corporation
437 High Street
Burlington, New Jersey 08016
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