Arnold Bosman wrote:
>Sadly, you're probably right: it is difficult to imagine a Callas today
>getting a role in a major opera house, or a young Horowitz winning an
>international piano competition.... we've traded technique for expression,
>individuality for easily consumable tags like 'mainstream', HIP, analytical,
>romantic, etc.
While I tend to think that way most of the time, I do find some who
manage to maintain distinction in their playing. I also find, from
time to time, a critic who supports that individuality in the playing.
Now, for a critic to be accepting of a few wrong notes, even in a live
performance...that is very rare. Then, in recordings, if the sound is
poor, some won't even listen.
Karl
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