Alice Chung writes:
>Not only through touches and strikes on the keys on a technical level, but
>also a lot of controling tones has to come from our interpretations of the
>music.
I certainly believe this. But I think the original question was asking
*how* it could be that the pianist's interpretative sense *could* affect
tone. I'd love to hear Alice or anyone else comment on that.
Allan Gotthelf