Sender: |
|
Subject: |
|
From: |
|
Date: |
Wed, 28 Mar 2007 00:02:53 -0500 |
Reply-To: |
|
Parts/Attachments: |
|
|
Iskender Savasir wrote:
>Would people care to expound on what is wrong with "cross over" or
>"fusion"? I tend to think that the kind of "purism", that such reactions
>against cross-over pine after is characteristic of a very limited time-san
>or oevrue even within the short history of classical music.
Nothing is wrong with 'crossover' or 'fusion'. But nowadays 'crossover'
is a marketing term: few of us on this list will be interested in a Welsh
schoolgirl or Lloyd Webber's ex-wife singing whatever some producer
thought might make the Billboard chart. And the trouble with fusions
in music is that they can't be forced, like hothouse flowers. Jazz
itself was a fusion from the beginning; so was rock'n'roll; but these
happened naturally, while progressive rock, jazz rock, jazz fusion etc
were all attempts to force hybrids. It never works, and certainly won't
work in 'classical' music.
Donald Clarke
***********************************************
The CLASSICAL mailing list is powered by L-Soft's renowned LISTSERV(R)
list management software together with L-Soft's HDMail High Deliverability
Mailer for reliable, lightning fast mail delivery. For more information,
go to: http://www.lsoft.com/LISTSERV-powered.html
|
|
|