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Date: Sat, 22 Jan 2005 09:30:41 -0600
Subject: Re: Musical Quotations 9
From: Rick Mabry <[log in to unmask]>
Parts/Attachments: text/plain (41 lines)
Steve, in a continuation of replies:

>...  is that it seems to be a "one-way" function.  In other words,
>because we have formed an opinion of the character of the composer or
>because we know certain facts about a composer's life, the music "must"
>show this, despite the (I believe) fundamentally abstract nature of
>music.  That is, it's not as though we necessarily have words that give
>us a clue as to meaning.

I think it mostly works that way.  Whatever impressions you have of a
person can influence the way you hear the music.  Certainly there are
also times when we think we hear something personal or profound in a
piece by an unknown composer, but this is more likely something about
ourselves we are hearing.  And in the other direction, sometimes when
we learn something positive or interesting about a composer, maybe one
we weren't disposed to originally, we might return with a more favorable
listen, a more receptive ear, a more open mind.

I think I heard some here hinting that they wouldn't necessarily want
the "facts" intruding on the music itself.  I sometimes wish I could
listen with such blinders, but my curioisty about these people prevent
it.

>My question has always been, "If you knew nothing of the composer's
>life, would you be able to discern his character from the music alone?"
>I've never seen anybody do this.  I may dislike the music of the bel
>canto school (and, boy, do I dislike it), but I have no idea of the
>character of the composers who wrote it.  Furthermore, the music interests
>me so little, I'm probably not going to go to the trouble of researching
>their lives.  Stravinsky, by the way, was not the nicest or most politically
>liberal of men.  I love his music.

Yes indeed.  And also, aren't humans too complicated to have a one-to-one
function from their personas to their musical output?  The music that
comes from a person who might be a louse in many respects is surely
coming from a multi-facteted creature.  The music could be taken as a
"good side".  Maybe the schmuck beat his wife, but he was kind to dogs
and this part also composed music.

Rick

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