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Date: | Wed, 9 Dec 2009 17:13:04 -0800 |
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Ed Zubrow <[log in to unmask]> wrote:
> I haven't been able to hear that much of Henze's music yet
> (and would welcome recommendations).=A0
His style has varied greatly over the years. Also, even within a
single work, one can find a wide range of styles. A list of my favorities
includes, from his early period, the ballet Ondine. As I recall, it is
in the second act where there is an extended passage which sounds like
a paraphrase of the opening of the Stravinsky Symphony in 3 movement.
Other early works of interest include the Ballet Variations and Das
vokaltuch der kammersangerin rosa silber. I am fond of all? 9 of the
Symphonies except Number six. The slow movement of the Second is haunting
and the drive of the finale of the Third never fails to impress me. I
find the Second Piano Concerto quite profound and the Cantate della fiaba
estrema to be a work of great beauty. The Musen Siziliens, with parts
of it sounding like Poulenc, is a delight.
Keep in mind that much of the above is non-tonal, as one would find in
the music of that other German master, Karl Amadeus Hartmann.
I should add that there are works I find contrived: Tristan, Natascha
Ungeheuer, El Cimarron, Das Floss der Medusa, Versuch uber Schweine,etc.
Of the operas, I prefer the Young Lord and the Bassarides.
Hope this helps.
Karl
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