Jon Johanning ([log in to unmask]) wrote:

>I am surprised, unless I have missed something, that no one has mentioned
>the use of CM by Bergman.  I can't give any specific examples (I remembet
>one film in which a Bach cello suite was used, I think), but I'm not
>referring to his "Magic Flute."

Well, surely the greatest example of music and film together is the
Eisenstein/Profkofiev partnership.  For my money.  Alexander Nevsky is
the greatest film score ever composed (and one of the greatest films).

Deryk Barker
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