The most famous (and most awful) is "Till The End Of Time" (1945; words
by Buddy Kaye and Ted Mossman) recorded by Perry Como among others,
ripped off from the Polonaise in A Flat.
But there was a lovely Paul Weston instrumental arrangement based on the
opening theme of one of the Opus 10 set of Etudes (No. 3 in F). I used
to have it on a Capitol LP, one of Weston's mood music albums, and I'm
sure it also had words written for it, but I can't remember what they
called it. Maybe someone else can help?
Donald Clarke
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