Dear all, In July 2004 the third issue of Ad Parnassum: A Journal
of 18th- and 19th-Century Instrumental Music is going to be delivered
(www.adparnassum.org) The third issue of the journal will include the
following articles:

CONTENTS
ROBERTO DE CARO, Editorial    p. 5

ARTICLES
JAMES L. ZYCHOWICZ: Mahler's Instrumental 'Entr'act'
for 'Die drei Pintos' and His Emerging Symphonic Style   p. 7

MICHELE CALELLA: Gattung und Erwartung: Brahms, das Leipziger
Gewandhaus und der Misserfolg des Klavierkonzerts Op. 15   p. 31

JOHN TYRRELL: Janacek and Programme Music           p.  61

FEDERICO MARIA SARDELLI: Il flauto nell'Italia del primo Settecento,
con cenni particolari a Vivaldi e Venezia                     p.  104

DISCUSSION
ELIO MATASSI: The Adaemonic/Daemonic Spirit of Music: E. T. A.
Hoffmann's Review of Beethoven's Fifth Symphony and the Apology
of Instrumental Music in W. H. Wackenroder              p.  153

REVIEW ARTICLE
RUDOLF RASCH: Pietro Antonio Locatelli and his Opera omnia   p.  163

REVIEWS
CHRISTIAN SPECK: Eugene K. Wolf, Manuscript form Mannheim,
ca. 1730-1778. A Study in the Methodology of Musical Source Research   p.
173

ROBIN STOWELL: Mara Parker, The String Quartet, 1750-1797.
Four Types of Musical Conversation                           p.  177

ALBAN RAMAUT: Berlioz: Past, Present, Future                 p. 180

JANE R. STEVENS: John Irving, Mozart's Piano Concertos and
Simon P. Keefe, Mozart's Piano Concertos: Dramatic Dialogue
in the Age of Enlightenement                              p. 182

ANDREA LINDMAYR-BRANDL: Margret Jestremski, Hugo Wolf.
Skizzen und Fragmente. Untersuchungen zur Arbeitsweise        p. 187

MICHAEL TALBOT: Daniel Heartz, Music in European Capitals.
The Galant Style, 1720-1780                                 p. 191

FRANCOISE SCHWAB: Elio Matassi, Bloch e la musica           p. 194

CHARLES B. FISK: Schubert the Progressive: History, Performance
Practice, Analysis                               p. 195

NEWS
News               p. 203
Forthcoming Conferences      p. 203
Call for Papers       p.  214
Communications       p. 215

Contributors     p. 217
Books Received     p. 219
Abstracts           p.  221

Index of Names     p.  225

Ad Parnassum is published by Ut Orpheus Edizioni.
Proposals for articles in English, French, German, Italian and Spanish
should be addressed to:
Dr Roberto Illiano [log in to unmask]
Dr Luca Sala [log in to unmask]
Dr Massimiliano Sala  [log in to unmask]

Books and editions of new music to be considered for reviews should be
addressed to:
Massimiliano Sala
via Bertesi 10
I-26100 Cremona

For subsciptions and rates, please see our website: www.adparnassum.org

Ad Parnassum
A Journal on Eighteenth- and Nineteenth-Century Instrumental Music

Editor-in-Chief:
Roberto De Caro, Bologna

Editors:
Roberto Illiano, Cremona
Fulvia Morabito, Cremona
Michela Niccolai, Cremona
Claudio Nuzzo, Cremona
Luca Sala, Cremona
Massimiliano Sala, Cremona

Advisory Board:
Theophil Antonicek, Vienna
Eva Badura-Skoda, Vienna
Andrea Bornstein, London
Clive Brown, Leeds
Michele Calella, Zurich
Federico Celestini, Graz
Bathia Churgin, Ramat-Gan
Andrea Coen, Rome
Barry Cooper, Manchester
Dorothy de Val, Toronto
William Drabkin, Southampton
Albert Dunning, Cremona
Sergio Durante, Padua
Dinko Fabris, Bari
Ralph Locke, New York
Elio Matassi, Rome
Simon McVeigh, London
Leon Plantinga, New Haven
Irena Poniatowska, Warsaw
Rudolf Rasch, Utrecht
Giancarlo Rostirolla, Rome
David Rowland, Cambridge
Manfred Hermann Schmid, Tubingen
Laszlo Somfai, Budapest
Christian Speck, Kobelnz-Landau
Larry Todd, Durham

Consultant Editors:
Paolo Dal Molin, France
Antonio Ezquerro Esteban, Spain
Giacomo Fornari, Italy
Andrea Lindmayr-Brandl, Austria
Peter Niedermuller, Germany
Adena Portowitz, Israel
Barbara Przybyszewska-Jarmijska, Poland
Marina Ritzarev, Israel
Angela Romagnoli, Italy
Renata Suchowiejko, Poland
Claudia Vincis, Switzerland
Pietro Zappala, Italy

Dr Massimiliano Sala
[log in to unmask]
www.adparnassum.org