I'd written:
>>For its simple but ominous DUM-DE-DUM-DUM theme, its producers quietly
>>paid Miklos Rozsa...
And Art Scott added:
>According to Michael Hayde's indispensable "My Name's Friday", Rozsa's
>publishers went to court -- and got a jury verdict -- when Ray Anthony's
>version of Walter Schumann's "Dragnet March" became a big hit in '53,
>alleging conscious plagarism...
I stand corrected. Funny thing, though, I learned this from a TV interview
with Rozsa, who revealed it to the interviewer while raising his finger to
his lips as if it were hush-hush.
Bert Bailey